“Reality shows manipulate... viewers who realize that their favourite reality shows are cast, contrived and edited to be dramatic may have no idea”[1]
What are the typical conventions of Reality TV shows making particular reference to Big Brother?
The typical conventions of any Reality Television show is that they offer “a set of rules”[2] whereby the contestants must obey by to make it relate to its genre. Other conventions of Reality TV show include: “contestants voted off, private Interviews, tasks, and being filmed 24 hours”[3], and this is all too win a cash prize. There has been an increase in viewers for Reality TV shows after the success of Big Brother, with statistics showing that “the first British Big Brother Series (2000) had over 7.5million viewers voting on the final eviction”[4]. What is different about reality TV is that it claims to show “realism”, but does it just expose different representations of people? Moreover Reality TV has changed the viewing habits of people, now drawing them into a world of voyeurism like the reality TV show Candid Camera whereby the audience “was not able to contribute or affect events in any ways”[5] and away from the typical entertainment television.
The history of reality TV had started from the programme Candid Camera 1948. This type of reality TV is a “voyeuristic programme, where the participants are not aware that they are being filmed”[6], but in the 21st century we are now introduced to reality TV shows such as, The Osbournes, I’m a Celebrity Get Me Out Of Here, Supernanny and Big Brother, whereby the contestants now know that they are being filmed. This can start that argument that is reality TV in the 21st century really real? As now the contestants know that they are being filmed, so this may influence then to act differently. The programme Dead Set is an acted out programme copying the conventions of Big Brother. Dead set fall under the fictional genre, as it helps the audience to understand what Big Brother may be like. If we were to compare Big Brother with Dead Set we would be able to see a difference as contestants on Big Brother know that they are being filmed and they may act in certain ways, where as on Dead set, their aim is too act and maybe mock Big Brother.
Different types of reality TV shows have a mixture of codes and conventions “to concoct something different”[7] from the different types of reality TV shows such as: “Docusoaps”, “Voyeuristic TV”, “Reality game shows” and “Celebrity reality games shows”, it is harder to label what genre they belong to. “Genres work by providing conventions which allow efficient communication between the producers and audiences”[8], this may be the case in some shows such as Big Brother, where by they have a mixture of “Docusoaps” conventions, where the audience is being passive, and “reality game shows” where “these programmes incorporate voyeuristic elements”[9]. Reality TV programmes may also be seen as “fly on the wall … Reality TV is a development of this form of documentary”[10] again reality programmes follow the conventions of many different reality TV programmes allowing them to have a very flexible genre due to the fact that if the “genre were, literally, the same, there would simply not be enough difference to generate either meaning or pleasuring”[11], relating to the uses and gratifications, where the audiences would not be able to use the media for their own personal use.
Also in Big Brother there is a hint of “Celebrity reality game shows”, as some series of Big Brother have had celebrities competing in tasks. From reality TV taking different conventions from documentaries and other reality TV programmes, we can say that Big Brother belongs to a hybrid genre, as it takes codes and conventions from these genres to again “concoct something different”; therefore from these mixtures of genres this creates the communication between the producer and the audience.
In many reality television shows, such as I’m a Celebrity Get Me Out Of Here the viewers and the camera are passive observers whereby they follow the contestants going about their daily personal and professional activities, the media here is seen to “inject a drug and that the audience’s behaviour and opinions are therefore directly affected”[12], as they are just consuming what they are being shown and not denoting the text to create there own meanings. Here we can see that the audience would be injected with the hypodermic needle model as the media is injecting the passive audience with ideologies, the audience is seen as passive who accept what the media gives to them.
Reality TV shows have increased after witnessing the success of Big Brother a popular offering to reality TV programmes, where the viewers watch people interact in a house, but also other statistics show that “while Big Brother series four final drew in a peak audience of 7.4 million, viewers fell two million short of last years final”[13] this may suggest that the audience had become more “actively engaged in the interpretation of media texts rather than as passive consumers”, showing that they may have realized that the conventions of reality TV shows are not very realistic and do not confirm with the conventions of reality TV programmes.
The genre of reality TV has now extended due to the fact that “different audiences will use a genre in different ways at different times”[14], there are many different types of reality TV programmes that thrive to please their intended audience and this may be why there are a wide variety of reality TV programmes. Super nanny and Beauty and the Geek, are both reality TV programmes that have very different conventions, and this maybe be due to the fact that “genre can be approached…from the point of view audience understanding and response”[15], the change in conventions means that they will gain a different and wider audience.
The change in conventions may suggest that the audiences are less active and slightly more passive, as in Supernanny parents may learn how to control their children, and in Beauty and the Geek the women and men, may also may learn how to act.
Reality TV has a wide range of different programmes which have different conventions to conform by to create there own audience group moreover, reality TV is being more preferred for those people who find watching ordinary people do outrageous thing, more entertaining than watching talented actors and comedians. “Reality TV” therefore is feeding their audiences as they know something that is acted out is obviously a fantasy, but the audience do not think about the editing that is done in these programmes to portray certain things therefore, they are allowing themselves to be injected with the thought that what they are watching is reality. Again the audience is being effected by the effects theory they are being injected by the media and believing what they see.
These shows claim “realism”, but “decisions on which shots to include were key”[16] so that they could gain viewers. Other reality TV shows such as The Up Series (1964) followed the lives of 14 British children aged 14years, there were shown to represent different socio-economic backgrounds in Britain at the particular time. The up Series was a serious documentary to inform its audience on the subject of that there child’s social class can predict their future. This reality programmes was a serious programme and also had a meaning behind it plus had something to education its audience about, unlike Reality TV shows in the 21st century where the makers now “manipulated the audiences…contestants…the tabloids and broadsheet press”[17], just in aid for themselves to gain viewers.
Watching other people embarrass themselves in front of cameras has become the new entertainment for viewers, and this could refer to the concept of “dumbing down” “Children can no longer tell the time? Dumbing down must be to blame”[18] society is now choosing to watch contestants do strange and outrageous things just to be entertained, where as in the 20th century society may have watched reality TV shows such as The Up Series to gain advice on what they would want their child’s social class to be. Therefore in the 20th century the media wanted to educate their audiences where as nowadays the media is choosing to allow their audiences to watch reality TV shows that may not have any form of serious social issues, neither any form of education. The media may have resorted to not educating their audience as now society in the 21st century is facing an economical crash and the media may just want to find quicker and faster ways to entertain their audience and earn money.
This rise in reality television and also the change in genre and conventions towards reality television reflect the changing tastes of the viewers, who are clearly not affected about the quality of programming as there has been in the past. This may suggest that men and women do not have a great concern about the different and new conventions of reality TV programmes, as they now go out to work. They do not have the time to sit at home and watch good quality movies, with a good narrative structure; they may just want people that they can relate to on TV. It might be that people will change their viewing habits when reality television is nothing of the kind. Maybe reality TV should be name "contrived television" as after all, it is a form of television relying on the editing which makes boring, everyday situations appealing to an audience that is easily pleased and is easily being injected by what the media is giving them.
Big Brother is not the highest rated programme. If Big Brother where to be compared with a TV soap this may be misleading, as TV soaps are aired in the evening where as Big Brother is aired much later giving it a much more smaller audience. But research shows that “In 2003 Reality TV shows still dominated prime time slots”[19]. Reality television has pushed genuine entertainment out of the way and more and more viewers are beginning to watch reality TV show’s, rather than watching programmes that were to feature great actors and included excellent story lines. But a new reality show just like Big Brother was constructed to attract and hold an audience as it claims to use “real” people in “real” situations, and also chooses to manipulate them to produce narrative and conflict in the programmes.
Big Brother has a variety of different contestants in the house, and favourite contestants may be more likeable on the outside world. When Jade Goody was evicted on 19th January, Big Brother had a high level of viewer, this may be for the reason that, she had created a lot of drama, and the audience may have wanted her to stay or go. On one occasion of Big Brother Jade Goody was “allegedly racist bullying of Shetty on Celebrity Big Brother”[20], therefore on this series of Big Brother Jade has caused a situation which attracted a higher audience and also an audience type that may have wanted to watch this certain eviction interview for surveillance purposes. Recently after Jade’s death the media is sympathizing with this issue as they are giving TV shows on Jade life from the start of her career to the end. This may show just how much audiences are injected by the media, as when Jade was preserved in a negative way after Big Brother, audiences disliked her. Whereas now when the media is screening Jade’s death and being sympathetic towards her death, so are the audiences, this again shows how audience are injected by the hypodermic needle model.
Also Big Brother may have a high number of viewers due to the different varieties of Big Brother shows, also “producers provide different programmes and viewing experiences for different audiences”[21]. This shows a new convention to reality shows, as they provide a wider range of access for their audiences to watch and catch up with what is happening on the show.
The hardest audience type to encourage in watching television is the younger generation, but Annette Hills Research (2002), showed that “young and educated viewers were more likely to watch Big Brother, with more women than men, and also 16-24 years-olds[22]”. Big Brother is a certain type of reality TV show that is superior at attracting a young audience. Statistics show the audience group % of total 8-16 11.5, 16-34 49.3, 35-54 29.2, and 55+ 10.0 also Male 42.4 and Female 57.7. They may have been a higher percentage in females, as they may use reality TV as a form of “diversion in the form of escape from reality, emotional release or pleasure”[23] to their normal lives. Moreover there may be a high percentage of teenagers due to “the actual range of opportunities available to the audience” for example they could use there mobile phones to text votes during eviction this also shows the change in technology. There were also a percentage of men that watched Big Brother and this could be explained by the “available showing at pubs”[24]. The high views for Big Brother may be explained to the new conventions and the wide range of availability it has to its audiences.
Often “the producers of the show would have audiences believe that they simply present unmediated highlights-but is that possible”[25], for example in Big Brother 4 “did Jon really bore the other lads to sleep with his detailed knowledge of Star Wars, or did the producers shape the footage that way to construct a representation of Jon that could be easily mocked”. This also they may be seen as biased, as Jon may have been a disliked character in the “outside world”[26] therefore this footage had been edited for him to be seen as a boring character, therefore “the audience’s behaviour and opinions are being directly affected”[27]. These shows claim “realism”. But it is the way the programmes are shot and maybe they should be in a genre of observational documentaries as they are watching people and how they go about living their everyday lives. In reality TV shows such as Big Brother ordinary contestants are seen to be treated as celebrities even before they appear on the show, as they get their expenses covered for them, so this may be an even bigger encouragement and desire for them to be on television, and also win the cash prize, furthermore this may encourage contestants to act in a way to be liked. Jade Goody had seen her life transform and “Nasty” Nick Bateman had a successful career in the media after appearing on Big Brother. During the “casting process”[28], “contestants were drawn from a variety of ethnic backgrounds covering some of the major ethnic communities in the UK”[29], this shows that Big Brother is trying to create a reach towards a wider audience and have someone they can relate too, here Big Brother may be following the conventions of The Up Series as they represented contestants from different social classes and Big Brother was represent ting contestants from different ethnic backgrounds. During the “casting process” they may choose people that they may be seen to cause argument and throw people who would be see to cause big fights and stop communicating in the house and in the house they have to keep communicating for a long time, this again shows how Big Brother, moulds the show to gain viewers, could this also be a new convention for reality TV shows? To place opposites just to certain arguments or is it another way to gain viewers.
Reality shows are cheap there is no need for them to pay for writers, actors, or any rehearsals etc. They use ordinary people, and this is there way of a cheap way to make television. Hour long drama cost around £875,000 per hour and Reality TV cost £114, 00 per hour. Shilpa Shetty was paid between £200,000 and £300,000 for appearing on the show, and this gave Big Brother its most popular rating of 10 million viewers. It may have gained this popular rating due to two argumentative people, they may have placed Jade Goody in Big Brother again as they know what high ratings they had given them before.
There are many different types of Reality TV programmes ranging from Docusoaps to celebrity reality game shows, reality TV has also been labelled as a development of fly on the wall documentaries as they take the conventions of this type of documentary. We know that “genres are flexible”[30], but are the main conventions of reality TV shows flexible, as the “conventions of a genre are always in play rather than being simple”, therefore reality TV programmes only change the conventions as a whole just to please and to gain a wider audience. We have learnt that there are a wide range of reality TV shows, which have active and passive audience types, for comparison I’m a Celebrity Get Me out Of Here and Supernanny, an audience that is watching I’m a Celebrity Get Me out Of Here, is active as they may see certain characters acting a in certain way to gain votes, and in Supernanny there is a passive audience as they are being taught and told on how to treat there children. Moreover these audiences are again being feed by the hyperdermic needle as the passive audience is agreeing with what the media gives them. The conventions of these two reality TV programmes are different as in Supernanny the children are not being voted off, as this is not one of the conventions of this show, but the audience is still watching the children being observed, and in I’m a Celebrity Get Me out Of Here like Big Brother the viewer can choose which contestants they want voted off and also which contestant they want to see perform tasks. But these to different reality TV programmes still belong to the genre type of reality TV.
Over all the new and different conventions of these reality TV shows maybe the reason as to why people would rather watch reality TV programmes rather than good quality TV as said before. Also there are varies different conventions that apply for each and every different reality TV programme which may be the reason why there are so many different reality TV programmes around. These different conventions appeal to the different audience types but will reality TV taken over good quality TV, and will one day reality TV be the development of another genre, from the conventions set by reality TV.
Word count: 3,400
Bibliography
'Works Cited'
Book’s
BFI Film and Television Handbook 2003. London: British Film Institute. (2003).
Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
Dyja, E. (2003). BFI Film and Television Handbook (B F I Film Handbook). London: British Film Institute.
Genre and Contemporary Hollywood. London: British Film Institute. (2002).
Maltby, Richard (1995)
Mckee, A. (2003). Textual Analysis: A Beginner's Guide. Thousand Oaks, CA: Sage Publications Ltd.
Neale, Steve (1980)
Phillips, Patrick (1996)
Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
Revision Express AS and A2 Media Studies - Pearson Education LimitedTudor Andrew (1986)
Internet
She survived Jade, Jo and Channel 4. Now Shilpa reaps her reward Media The Guardian . (n.d.). Retrieved February 3, 2009, from http://www.guardian.co.uk/media/2007/jan/27/india.bigbrother.
Children's TV is not all that bad! Media The Guardian . (n.d.). Retrieved May 4, 2009, from http://www.guardian.co.uk/media/2001/nov/20/broadcasting.g26
Magazines
MediaMagazinedecember 2003english and media centre
'Works Consulted'
Books
Annette Hill’s research (2002)
Internet
BBC NEWS Entertainment Reality TV 'dents' acting roles. (n.d.). Retrieved February 12, 2009, from http://news.bbc.co.uk/2/hi/entertainment/4318982.stm
Big Brother - Media UK. (n.d.). Retrieved February 12, 2009, from http://www.mediauk.com/the_knowledge/i.muk/Big_Brother
Big Brother - Media UK. (n.d.). Retrieved February 12, 2009, from http://www.mediauk.com/the_knowledge/i.muk/Big_Brother
Celebrity Big Brother row goes global Media MediaGuardian . (n.d.). Retrieved February 12, 2009, from http://www.guardian.co.uk/media/2007/jan/17/bigbrother.politicsandthemedia
Children's TV is not all that bad! Media The Guardian . (n.d.). Retrieved May 4, 2009, from http://www.guardian.co.uk/media/2001/nov/20/broadcasting.g26
Fans of reality TV statistics. (n.d.). Retrieved February 12, 2009, from http://www.big-boards.com/board/397/
History of Reality TV. (n.d.). Retrieved February 12, 2009, from http://www.reality-tv-online.com/articles/history-reality-tv.html
How Reality TV Fakes It - TIME. (n.d.). Retrieved May 4, 2009, from http://www.time.com/time/magazine/article/0,9171,1154194,00.html
Reality TV Media guardian.co.uk . (n.d.). Retrieved February 12, 2009, from http://www.guardian.co.uk/media/reality-tv
Reality television - Wikipedia, the free encyclopedia. (n.d.). Retrieved February 12, 2009, from http://en.wikipedia.org/wiki/Reality_television
Seven Up! (1964) (TV). (n.d.). Retrieved February 12, 2009, from http://www.imdb.com/title/tt0058578/
[1] How Reality TV Fakes It - TIME. (n.d.). Retrieved May 4, 2009, from http://www.time.com/time/magazine/article/0,9171,1154194,00.html
[2] Patrick Phillips (1996)
[3] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[4] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[5] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[6] ibid
[7] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[8] Mckee, Alan, (2003): Textual Analysis a beginner’s guide. SAGE publications Ltd London, Thousand Oaks, New Delhi. PG 95
[9] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[10] ibid
[11] Steve Neale (1980)
[12] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[13] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG 23
[14] Richard Maltby (1995)
[15] Neale, Steve (2002): Genre and Contemporary Hollywood. London: British Film Institute.
[16] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[17] Dyla, Eddie: BFI Film & Television handbook 2003. British Film Institute. PG 24
[18] Children's TV is not all that bad! Media The Guardian . (n.d.). Retrieved May 4, 2009, from http://www.guardian.co.uk/media/2001/nov/20/broadcasting.g26
[19] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG21
[20] She survived Jade, Jo and Channel 4. Now Shilpa reaps her reward Media The Guardian . (n.d.). Retrieved February 3, 2009, from http://www.guardian.co.uk/media/2007/jan/27/india.bigbrother.
[21] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[22] Annette Hill’s research (2002)
[23] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[24] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[25] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[26] ibid
[27] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[28] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[29] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts – media representations
[30] Andrew Tudor (1986)
Thursday 7 May 2009
Monday 27 April 2009
Notes...
- Representations of women has changed from the due to - changes in society and certain historical events taking place
- Portrayed in the media as an object of the male gaze. Eg. naked or semi-naked women on covers of men’s magazines.
- Women are hardly seen as news reporters
- Sex objects, ‘blond bimbo’ stereotype.
- Eve blamed on why women are being objectified and stereotyped.
- Madonna - pure
- Whore - impure and sexuall
- Previously women limited to smaller roles in movies due to expectations and stereotypes before the second wave of feminism.
- After second wave feminism women were fighitng back against dominance of male gender and in movies women were getting more roles
- Men still the dominant gender in leading roles especially in television.
- Role of the woman has become more noticeable due to men now becoming more feminine with gays, heterosexuals and the portrayal of the ‘new man’.
Friday 10 April 2009
1)Compare two examples, from different decades, of any media genre of your choice. Describe and account for the major differences and similarities between them?
2)Outline recent significant development in one genre of your choice. Illustrate your answers with example
(January ‘03 b)
3)“Genres must adapt in order to survive” discuss
(June ‘04 b)
- Introduction
Introduce my two chosen texts. My two chosen texts will be the original Texas chainsaw massacre 1974 and 2003 Texas chainsaw massacre. I will talk about the general plot of the two different films and a few point on how they have developed over time.
- Paragraph One
Whether the changes in the genre and films reflect the zeitgeist , and see what social factors could be responsible for the differences in the films.
- Paragraph Two
How technology has adapted a lot since 1974 to 2003. How the mask of the leather face has changed more. Props used such as the chainsaw and the meat hooks.
- Paragraph Three
Same generic codes used in both films such as both films have a final girl, Leather face the killer, same murder weapon, group of friends.
- Paragraph Four
Difference in representation between the two TCM‘s, how the representation of teenagers has changed.
- Conclusion
How the spirit of the age is responsible for the difference in the movies, and how they changed certain thing to please its audience.
2)Outline recent significant development in one genre of your choice. Illustrate your answers with example
(January ‘03 b)
- Introduction
Which genre I have choose and explaining why I chose that particular genre over others.
- Paragraph One
State that I will compare both Texas chain saw massacre as well as Halloween and Scream.
- Paragraph Two
Talk about the mise en scene and make reference to what is going on in society at that particular time and how it reflects what is being shown in the film.
- Paragraph Three
Use terminology we have learnt in class such as the audiences knowingness that separates post modern from the movies in the past that have come before it.
- Paragraph Four
Highlight Scream making reference to scary movie. Talk about how they create irony and poke fun of the genre formula and set of rules that have been put in place by directors of past genre movies.
- Conclusion
Talk about how the slasher genre has developed. Talk about audience expectations, censorship and updated zeitgeists and how producers have had to change their style to keep up with the changing times, therefore this is why the slasher genre and other genres change over time.
3)“Genres must adapt in order to survive” discuss
(June ‘04 b)
- Introduction
Introduce the slasher genre, and how it has changed in order to survive.
- Paragraph One
Changes in society /ideologies/values and representation. The era of feminism changed everything from being subservient and controlled in Psycho to the changed in Switchblade Romance. The final girl- needs phallic symbol to show her masculine side.
- Paragraph Two
Talk about, audience expectations. Making reference to TCM.
- Paragraph Three
Censorship and codes of conduct of TCM and how they have changed.
- Paragraph Four
Technology and how it has changed to adapt.
- Paragraph Five
Any other changes that have to occur to make the genre adapt.
- Conclusion
Genres have to adapt because of society and their expectations. Talk about economical factors too.
Thursday 2 April 2009
TCM Essay
Compare the two versions of TCM. How and why are they similar or different, paying close attention to ideas/theories about the ways genres repeat themselves and the wider contextual factors that have influenced any changes.
Both The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre (2003) are both from the slasher genre and therefore follow the same generic convention such as the final girl and the stereotypical male killer.
However since they have been produced in two different eras, they have different audience expectations and the film and plot maybe slightly different. The 1947 TCM would appeal to a target audience of males and females as they have both male and females characters, also the age group of their audience would be 18-35 class, c1, c2 and d. The target audience for the 2003 TCM would be male and females again but for the age group of 16-35 and their class being b, c1, c2 and d as the effect of he 2003 TCM are more interesting. Also both TCM’s will attract different audience types as the 1947 TCM was censored and as a result it was not as gruesome as the 2003 TCM.
Firstly there is a difference in the narratives in both the 1947 TCM and also the 2003 TCM. The 1947 TCM opens up of a dead armadillo and then is followed by a medium shot of the five friends, who are going to check on relatives graves in a cemetery. They pick up a hitchhiker man, who is crazy. Where as in the 2000 TCM, there are also five friends but they are on there way to see a Lynyrd Skyynyrd concert and instead the hitchhiker is female instead of being male and shots herself instead of slitting her wrist like the male does in 1934 TCM.
Secondly the beginning of both 1934 TCM and 2003 TCM is different. The 193 TCM opens with a narration, with word scrolling down the screen, the deep voice set the atmosphere for the audience. Then there are a lot of flashing shots of rotting hands and teeth followed by complete darkness and a corpse with a close up shot of the sun to set the scene of a hot summer’s day in Texas. The 2003 TCM, opens with black and white footage of police going through a house and again words are scrolling down like the 1934 TCM.
Moreover the 1934 TCM is different as Todorov’s theory can be applied throughout it, as there is a equilibrium at the beginning and a disequilibrium, and finally there seems to be a happy ending as there is a final girl. Where as the 2003 TCM has disequilibrium
The final girl must follow a theory of sex equals death. This theory is applied in the 2003 TCM as the couple die as they have had sex.
There is a visible final girl in both 1947 TCM and 2003 TCM, this gives the idea that they are seen to be more superior to males as they are the ones who survive. This goes against the stereotype that women usually stay at home and are seen as housewives.
Overall both 1947 TCM and 2003 TCM are two very similar and also different movies. The final girl in 1947 TCM had relied on someone to come in and distract the leather face, but the 2003 TCM Erin had gotten away on her own without being hitched hiked unlike the first movie she also got her revenge on the Sheriff in the process by running him over in his police car. Also the two movies were different as they represent women in two different ways depending on the zeitgeist in the 1947 TCM women were seen as weak, where as in the 2003 TCM they are seen powerful.
Both The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre (2003) are both from the slasher genre and therefore follow the same generic convention such as the final girl and the stereotypical male killer.
However since they have been produced in two different eras, they have different audience expectations and the film and plot maybe slightly different. The 1947 TCM would appeal to a target audience of males and females as they have both male and females characters, also the age group of their audience would be 18-35 class, c1, c2 and d. The target audience for the 2003 TCM would be male and females again but for the age group of 16-35 and their class being b, c1, c2 and d as the effect of he 2003 TCM are more interesting. Also both TCM’s will attract different audience types as the 1947 TCM was censored and as a result it was not as gruesome as the 2003 TCM.
Firstly there is a difference in the narratives in both the 1947 TCM and also the 2003 TCM. The 1947 TCM opens up of a dead armadillo and then is followed by a medium shot of the five friends, who are going to check on relatives graves in a cemetery. They pick up a hitchhiker man, who is crazy. Where as in the 2000 TCM, there are also five friends but they are on there way to see a Lynyrd Skyynyrd concert and instead the hitchhiker is female instead of being male and shots herself instead of slitting her wrist like the male does in 1934 TCM.
Secondly the beginning of both 1934 TCM and 2003 TCM is different. The 193 TCM opens with a narration, with word scrolling down the screen, the deep voice set the atmosphere for the audience. Then there are a lot of flashing shots of rotting hands and teeth followed by complete darkness and a corpse with a close up shot of the sun to set the scene of a hot summer’s day in Texas. The 2003 TCM, opens with black and white footage of police going through a house and again words are scrolling down like the 1934 TCM.
Moreover the 1934 TCM is different as Todorov’s theory can be applied throughout it, as there is a equilibrium at the beginning and a disequilibrium, and finally there seems to be a happy ending as there is a final girl. Where as the 2003 TCM has disequilibrium
The final girl must follow a theory of sex equals death. This theory is applied in the 2003 TCM as the couple die as they have had sex.
There is a visible final girl in both 1947 TCM and 2003 TCM, this gives the idea that they are seen to be more superior to males as they are the ones who survive. This goes against the stereotype that women usually stay at home and are seen as housewives.
Overall both 1947 TCM and 2003 TCM are two very similar and also different movies. The final girl in 1947 TCM had relied on someone to come in and distract the leather face, but the 2003 TCM Erin had gotten away on her own without being hitched hiked unlike the first movie she also got her revenge on the Sheriff in the process by running him over in his police car. Also the two movies were different as they represent women in two different ways depending on the zeitgeist in the 1947 TCM women were seen as weak, where as in the 2003 TCM they are seen powerful.
Tuesday 31 March 2009
Similarities and differences in TCM 1974 and TCM 2003
Similarities
Differences
- Both films are slasher
- Same genre codes, such as the girl screaming
- Use the chainsaw to present a phallic object
- A psycho killer- from a family of cannibals
- Have group of friends- which get lost...
- SEX= death theory
- Killer has a mask
Differences
- Made in different eras- therefore their target audience expectations are different
- The new one is not censored
- The ending is very different
- The family members-younger wants to save the friends
- 2003 has a women who is the hitchhiker, which is unlike the 1974 man being the hitchhiker
- 2003 women shots herself 1974 man cuts himself
2nd Draft
What are the typical conventions of Reality TV shows making particular reference to Big Brother?
The typical conventions of any Reality television show is that they offer “a set of rules”[1] whereby the contestants must obey by to make it relate to its genre. Other conventions of reality TV show include: “contestants voted off, private Interviews, tasks, and being filmed 24 hours”[2], and this is all too win a cash prize. There has been an increase in viewers for reality TV shows after the success of Big Brother, with statistics showing that “the first British Big Brother Series (2000) had 7.5million viewers voting on the final eviction”[3]. What is different about reality TV is that it claims to show “realism”, but does it just expose different representations of people? Moreover Reality TV has changed the viewing habits of people, now drawing them into a world of voyeurism like the reality TV show “Candid Camera” whereby the audience “was not able to contribute or affect events in any ways”[4] and away from the typical entertainment television.
The history of reality TV had started from the programme “Candid Camera” in 1948, this type of reality TV is a “voyeuristic programme, where the participants are not aware that they are being filmed”[5], but in the 20th century we are now introduced to reality TV shows such as, “The Osbournes, “I’m a Celebrity Get Me Out Of Here”, “Supernanny” and “Big Brother”, where the contestants now know that they are being filmed. This can start that argument that is reality TV in the 20th century really real? As contestants know that they are being filmed, so they may act different, the programme “Dead Set” is a acting out programme copying the conventions of Big Brother. If we were to compare “Big Brother” with “Dead Set” would we be able to see a difference as contestants on “Big Brother” know that they are being filmed and they may act in certain ways.
Different types of reality TV shows have a mixture of codes and conventions “to concoct something different”[6] from the different types of reality TV shows such as: “Docusoaps”, “Voyeuristic TV”, “Reality game shows” and “Celebrity reality games shows”, it is harder to label what genre they belong to. “Genres work by providing conventions which allow efficient communication between producers and audiences”[7], this may be the case in some shows such as Big Brother, where by they have a mixture of “Docusoaps” conventions, where the audience is being passive, and “reality game shows” where “these programmes incorporate voyeuristic elements”[8]. Reality TV programmes may also be seen as “fly on the wall … Reality TV is a development of this form of documentary”[9] again reality programmes follow the conventions of many different reality TV programmes allowing them to have a very flexible genre due to the fact that if the “genre were, literally, the same, there would simply not be enough difference to generate either meaning or pleasuring”[10], relating to the uses and gratifications, where the audiences would not be able to use the media for there own personal use’s.
Also in Big Brother there is a hint of “Celebrity reality game shows”, as some series of Big Brother have had celebrities competing in tasks.
From reality TV taking different conventions from documentaries and other reality TV programmes, we can say that Big Brother belongs to a hybrid genre, as it takes codes and conventions from these genres to again “concoct something different”, therefore theses mixtures of genres creates the communications between the producer and audience.
In many reality television shows, such as “I’m a Celebrity Get Me Out Of Here” the viewers and the camera are passive observers whereby they follow the contestants going about their daily personal and professional activities, the media here is seen to “inject a drug and that the audience’s behaviour and opinions are therefore directly affected”[11], as they are just consuming what they are being shown and not denoting the text to create there own meanings.
Reality TV shows have increased after witnessing the success of Big Brother a popular offering to reality TV programmes, where viewers watch people interact in a house, but also other statistics show that “while Big Brothers 4 final drew in a peak audience of 7.4 million, viewers fell 2 million short of last years final”[12] this may suggest that the audience had become more “actively engaged in the interpretation of media texts rather than as passive consumers”, showing that they may have realized that the conventions of reality TV shows are not very realistic and not conveying with the genre of reality TV programmes.
The genre of reality TV has now extended due to the fact that “different audiences will use a genre in different ways at different times”[13], there are many different reality TV programmes that thrive to please there intended audience and this may be why there are a wide variety of reality TV programmes. "Super nanny" and "Beauty and the Geek", are both reality TV programmes that have very different conventions, and this maybe be due to the fact that “genre can be approached…from the point of view audience understanding and response”[14], the change in conventions means that they will gain a different and wider audience.
The change in conventions may suggest that the audiences are less active and slightly more passive, as in “Supernanny” parents may learn how to control their children, and in “Beauty and the Geek” the Beauty’s and the Geek, also may learn how to act.
Reality TV has a wide range of different programmes which have different conventions to obey by to create there own audience group moreover, reality TV is being more preferred for those people who find watching ordinary people do outrageous thing, more entertaining than watching talented actors and comedians. “Reality TV” therefore is feeding there audiences as they know something that is acted out is obviously a fantasy, but the audience do not think about the editing that is done in these programmes to portray certain things therefore, they are allowing themselves to be injected with the thought that what they are watching is reality.
These shows claim “realism”, but “decisions on which shots to include were key”[15] so that they could gain viewers. Other reality TV shows such as The Up Series (1964) followed the lives of 14 British children aged 14years, there were shown to represent different socio-economic backgrounds in Britain at the particular time. The Up Series was a serious documentary to inform its audience on the subject of that there child’s social class can predict their future. This reality programmes was a serious programme and also had a meaning behind it plus had something to education its audience about, unlike Reality TV shows in the 20th century where the makers now “manipulated the audiences…contestants…the tabloids and broadsheet press”[16], just in aid for themselves to gain viewers.
Watching other people embarrass themselves in front of cameras has become the new entertainment for viewers, and this could refer to the concept of “dumbing down” as now society is choosing to watch contestants do strange and outrageous things just to be entertained, where as in the 19th century society may have watched reality TV shows such as “The Up Series” the gain advice on what they would want there child’s social class to be. Therefore in the 19th century the media wanted to educate their audiences where as nowadays the media is choosing to allow their audiences to watch reality TV shows that may not have any form of serious social issues, neither any form of education. The media may have resorted to not educating there audience as now social in the 20th century the economy is facing the recession and the media may just want to find quick and fast way to entertain their audience and earn money.
This rise in reality television and also the change in genre and conventions towards reality television reflect the changing tastes of the viewers, who are clearly not fused about the quality of programming as there has been in the past. This may suggest that men and women do not have a great concern about the different and new conventions of reality TV programmes, as they now go out to work. They do not have the time to sit at home and watch good quality movies, with a good narrative structure, they may just want people that they ca to relate to on people TV. It might be that people will change their viewing habits when reality television is nothing of the kind. Maybe reality TV should be name "contrived television" as after all, it is a form of television relying on the editing which makes boring, everyday situations appealing to an audience that is easily pleased and is easily being injected by what the media is giving them.
Big Brother is not the highest rated programme. If Big Brother where to be compared with a TV soap this may be misleading, as TV soaps are aired in the evening where as Big Brother is aired much later giving it a much more smaller audience. But research shows that “In 2003 Reality TV shows still dominated prime time slots”[17]. Reality television has pushed genuine entertainment out of the way and more and more viewers are beginning to watch reality TV show’s, rather than watching programs that were to feature great actors and included excellent story lines. But a new reality show just like “Big Brother” was constructed to attract and hold an audience as it claims to use “real” people in “real” situations, and also chooses to manipulate them to produce narrative and conflict in the programmes.
Big Brother has a variety of different contestants in the house, and favourite contestants may be more likeable on the outside world. When Jade Goody was evicted on 19th January, Big Brother had a high level of viewer, this may be for the reason that, she had created a lot of drama, and the audience may have wanted her to stay or go. On one occasion on Big Brother Jade Goody was “allegedly racist bullying of Shetty on Celebrity Big Brother”[18], therefore on this series of Big Brother Jade has caused a situation which attracted a higher audience and also an audience type that may have wanted to watch this certain eviction interview for surveillance purposes.
Also Big Brother may have a high number of views due to it’s varies different Big Brother shows, also “producers provide different programmes and viewing experiences for different audiences”[19]. This shows a new convention to reality shows, as they provide a wider range of access for their audiences to watch and catch up with what is happening on the show.
The hardest audience type to encourage in watching television is the younger generation, but Annette Hills Research (2002), showed that “young and educated viewers were more likely to watch Big Brother, with more women than men, and also 16-24 years-olds[20]”. Big Brother was a certain type of reality TV show that was superior at attracting a young audience. Statistics show the audience group % of total 8-16 11.5, 16-34 49.3, 35-54 29.2, and 55+ 10.0 also Male 42.4 and Female 57.7. They may have been a higher percentage in females, as they may use reality TV as a form of “diversion in the form of escape from reality, emotional release or pleasure”[21] to their normal lives. Moreover there may be a high percentage of teenagers due to “the actual range of opportunities available to the audience” for example they could use there mobile phones to text votes during eviction this also shows the change in technology. There were also a percentage of men that watched Big Brother and this could be explained by the “available showing at pubs”[22]. The high views for Big Brother may be explained to the new conventions and the wide range of availability it has to its audiences.
Often “the producer’s of the show would have audiences believes that they simply present unmediated highlights-but is that possible”[23], for example in Big Brother 4 “did Jon really bore the other lads to sleep with his detailed knowledge of Star Wars, or did the producers shape the footage that way to construct a representation of Jon that could be easily mocked”. This also they may be seen as biased, as Jon may have been a disliked character in the “outside world”[24] therefore this footage had been edited for him to be seen as a boring character, therefore “the audience’s behaviour and opinions are being directly affected”[25]. These shows claim “realism”. But it is the way the programmes are shot and maybe they should be in a genre of observational documentaries s they are watching people and how they go about living their everyday life’s? In reality TV shows such as Big Brother ordinary contestants are seen to be treated as celebrities even before they appear on the show, as they get their expenses covered for them, so this may be an even bigger encouragement and desire for them to be on television, and also win the cash prize, furthermore this may encourage contestants to act in a way to be liked. Jade Goody had seen her life transform and “Nasty” Nick Bateman had a successful career in the media after appearing on Big Brother. During the “casting process”[26], “contestants were drawn from a variety of ethnic backgrounds covering some of the major ethnic communities in the UK”[27], this shows that Big Brother is trying to create a reach towards a wider audience and have someone they can relate too, here Big Brother may be following the conventions of “The Up Series” as they represented contestants from different social classes and Big Brother was represent ting contestants from different ethnic backgrounds. During the “casting process” they may choose people that they may be seen to cause argument and throw people who would be see to cause big fights and stop communicating in the house and in the house they have to keep communicating for a long time, this again shows how Big Brother, moulds the show to gain viewers, could this also be a new convention for reality TV shows? To place opposites just to certain arguments or is it another way to gain viewers.
Reality shows are cheap there is no need for them to pay for writers, actors, or any rehearsals etc. They use ordinary people, and this is there way of a cheap way to make television. Hour long drama cost around £875,000 per hour and Reality TV cost £114, 00 per hour. Shilpa Shetty was paid between £200,000 and £300,000 for appearing on the show, and this gave Big Brother its most popular rating of10 million viewers. It may have gained this popular rating due to two argumentative people, they may have placed Jade Goody in Big Brother again as they know what high ratings they had given them before.
There are many different types of Reality TV programmes ranging from Docusoaps to celebrity reality game shows, reality TV has also been labelled as a development of fly on the wall documentaries as they take the conventions of this type of documentary. We know that “genres are flexible”[28], but are the main conventions of reality TV shows flexible, as the “conventions of a genre are always in play rather than being simple”, therefore reality TV programmes only change the conventions as a whole just to please and to gain a wider audience. We have learnt that there are a wide range of reality TV shows, which have active and passive audience types, for comparison “I’m a Celebrity Get Me out Of Here” and “Supernanny”, an audience that is watching “I’m a Celebrity Get Me out Of Here”, is active as they may see certain characters acting a in certain way to gain votes, and in “Supernanny” there is a passive audience as they are being taught and told on how to treat there children. Moreover these audiences are again being feed by the hyperdermic needle as the passive audience is agreeing with what the media gives them. The conventions of these two reality TV programmes are different as in “Supernanny” the children are not being voted off, as this is not one of the conventions of this show, but the audience is still watching the children being observed, and in “I’m a Celebrity Get Me out Of Here” like Big Brother the viewer can choose which contestants they want voted off and also which contestant they want to see perform tasks. But these to different reality TV programmes still belong to the genre type of reality TV.
Over all the new and different conventions of these reality TV shows maybe the reason as to why people would rather watch reality TV programmes rather than good quality TV as said before. Also there are varies different conventions that apply for each and every different reality TV programme which may be the reason why there are so many different reality TV programmes around. These different conventions appeal to the different audience types but will reality TV taken over good quality TV, and will one day reality TV be the development of another genre, from the conventions set by reality TV.
[1] Patrick Phillips (1996)
[2] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[3] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[4] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[5] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[6] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[7] Mckee, Alan, (2003): Textual Analysis a beginner’s guide. SAGE publications Ltd London, Thousand Oaks, New Delhi. PG 95
[8] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[9] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[10] Steve Neale (1980)
[11] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[12] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG 23
[13] Richard Maltby (1995)
[14] Neale, Steve (2002): Genre and Contemporary Hollywood. London: British Film Institute.
[15] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[16] Dyla, Eddie: BFI Film & Television handbook 2003. British Film Institute. PG 24
[17] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG21
[18] She survived Jade, Jo and Channel 4. Now Shilpa reaps her reward Media The Guardian . (n.d.). Retrieved February 3, 2009, from http://www.guardian.co.uk/media/2007/jan/27/india.bigbrother.
[19] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[20] Annette Hill’s research (2002)
[21] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[22] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[23] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[24] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts - editing
[25] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[26] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[27] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts – media representations
[28] Andrew Tudor (1986)
The typical conventions of any Reality television show is that they offer “a set of rules”[1] whereby the contestants must obey by to make it relate to its genre. Other conventions of reality TV show include: “contestants voted off, private Interviews, tasks, and being filmed 24 hours”[2], and this is all too win a cash prize. There has been an increase in viewers for reality TV shows after the success of Big Brother, with statistics showing that “the first British Big Brother Series (2000) had 7.5million viewers voting on the final eviction”[3]. What is different about reality TV is that it claims to show “realism”, but does it just expose different representations of people? Moreover Reality TV has changed the viewing habits of people, now drawing them into a world of voyeurism like the reality TV show “Candid Camera” whereby the audience “was not able to contribute or affect events in any ways”[4] and away from the typical entertainment television.
The history of reality TV had started from the programme “Candid Camera” in 1948, this type of reality TV is a “voyeuristic programme, where the participants are not aware that they are being filmed”[5], but in the 20th century we are now introduced to reality TV shows such as, “The Osbournes, “I’m a Celebrity Get Me Out Of Here”, “Supernanny” and “Big Brother”, where the contestants now know that they are being filmed. This can start that argument that is reality TV in the 20th century really real? As contestants know that they are being filmed, so they may act different, the programme “Dead Set” is a acting out programme copying the conventions of Big Brother. If we were to compare “Big Brother” with “Dead Set” would we be able to see a difference as contestants on “Big Brother” know that they are being filmed and they may act in certain ways.
Different types of reality TV shows have a mixture of codes and conventions “to concoct something different”[6] from the different types of reality TV shows such as: “Docusoaps”, “Voyeuristic TV”, “Reality game shows” and “Celebrity reality games shows”, it is harder to label what genre they belong to. “Genres work by providing conventions which allow efficient communication between producers and audiences”[7], this may be the case in some shows such as Big Brother, where by they have a mixture of “Docusoaps” conventions, where the audience is being passive, and “reality game shows” where “these programmes incorporate voyeuristic elements”[8]. Reality TV programmes may also be seen as “fly on the wall … Reality TV is a development of this form of documentary”[9] again reality programmes follow the conventions of many different reality TV programmes allowing them to have a very flexible genre due to the fact that if the “genre were, literally, the same, there would simply not be enough difference to generate either meaning or pleasuring”[10], relating to the uses and gratifications, where the audiences would not be able to use the media for there own personal use’s.
Also in Big Brother there is a hint of “Celebrity reality game shows”, as some series of Big Brother have had celebrities competing in tasks.
From reality TV taking different conventions from documentaries and other reality TV programmes, we can say that Big Brother belongs to a hybrid genre, as it takes codes and conventions from these genres to again “concoct something different”, therefore theses mixtures of genres creates the communications between the producer and audience.
In many reality television shows, such as “I’m a Celebrity Get Me Out Of Here” the viewers and the camera are passive observers whereby they follow the contestants going about their daily personal and professional activities, the media here is seen to “inject a drug and that the audience’s behaviour and opinions are therefore directly affected”[11], as they are just consuming what they are being shown and not denoting the text to create there own meanings.
Reality TV shows have increased after witnessing the success of Big Brother a popular offering to reality TV programmes, where viewers watch people interact in a house, but also other statistics show that “while Big Brothers 4 final drew in a peak audience of 7.4 million, viewers fell 2 million short of last years final”[12] this may suggest that the audience had become more “actively engaged in the interpretation of media texts rather than as passive consumers”, showing that they may have realized that the conventions of reality TV shows are not very realistic and not conveying with the genre of reality TV programmes.
The genre of reality TV has now extended due to the fact that “different audiences will use a genre in different ways at different times”[13], there are many different reality TV programmes that thrive to please there intended audience and this may be why there are a wide variety of reality TV programmes. "Super nanny" and "Beauty and the Geek", are both reality TV programmes that have very different conventions, and this maybe be due to the fact that “genre can be approached…from the point of view audience understanding and response”[14], the change in conventions means that they will gain a different and wider audience.
The change in conventions may suggest that the audiences are less active and slightly more passive, as in “Supernanny” parents may learn how to control their children, and in “Beauty and the Geek” the Beauty’s and the Geek, also may learn how to act.
Reality TV has a wide range of different programmes which have different conventions to obey by to create there own audience group moreover, reality TV is being more preferred for those people who find watching ordinary people do outrageous thing, more entertaining than watching talented actors and comedians. “Reality TV” therefore is feeding there audiences as they know something that is acted out is obviously a fantasy, but the audience do not think about the editing that is done in these programmes to portray certain things therefore, they are allowing themselves to be injected with the thought that what they are watching is reality.
These shows claim “realism”, but “decisions on which shots to include were key”[15] so that they could gain viewers. Other reality TV shows such as The Up Series (1964) followed the lives of 14 British children aged 14years, there were shown to represent different socio-economic backgrounds in Britain at the particular time. The Up Series was a serious documentary to inform its audience on the subject of that there child’s social class can predict their future. This reality programmes was a serious programme and also had a meaning behind it plus had something to education its audience about, unlike Reality TV shows in the 20th century where the makers now “manipulated the audiences…contestants…the tabloids and broadsheet press”[16], just in aid for themselves to gain viewers.
Watching other people embarrass themselves in front of cameras has become the new entertainment for viewers, and this could refer to the concept of “dumbing down” as now society is choosing to watch contestants do strange and outrageous things just to be entertained, where as in the 19th century society may have watched reality TV shows such as “The Up Series” the gain advice on what they would want there child’s social class to be. Therefore in the 19th century the media wanted to educate their audiences where as nowadays the media is choosing to allow their audiences to watch reality TV shows that may not have any form of serious social issues, neither any form of education. The media may have resorted to not educating there audience as now social in the 20th century the economy is facing the recession and the media may just want to find quick and fast way to entertain their audience and earn money.
This rise in reality television and also the change in genre and conventions towards reality television reflect the changing tastes of the viewers, who are clearly not fused about the quality of programming as there has been in the past. This may suggest that men and women do not have a great concern about the different and new conventions of reality TV programmes, as they now go out to work. They do not have the time to sit at home and watch good quality movies, with a good narrative structure, they may just want people that they ca to relate to on people TV. It might be that people will change their viewing habits when reality television is nothing of the kind. Maybe reality TV should be name "contrived television" as after all, it is a form of television relying on the editing which makes boring, everyday situations appealing to an audience that is easily pleased and is easily being injected by what the media is giving them.
Big Brother is not the highest rated programme. If Big Brother where to be compared with a TV soap this may be misleading, as TV soaps are aired in the evening where as Big Brother is aired much later giving it a much more smaller audience. But research shows that “In 2003 Reality TV shows still dominated prime time slots”[17]. Reality television has pushed genuine entertainment out of the way and more and more viewers are beginning to watch reality TV show’s, rather than watching programs that were to feature great actors and included excellent story lines. But a new reality show just like “Big Brother” was constructed to attract and hold an audience as it claims to use “real” people in “real” situations, and also chooses to manipulate them to produce narrative and conflict in the programmes.
Big Brother has a variety of different contestants in the house, and favourite contestants may be more likeable on the outside world. When Jade Goody was evicted on 19th January, Big Brother had a high level of viewer, this may be for the reason that, she had created a lot of drama, and the audience may have wanted her to stay or go. On one occasion on Big Brother Jade Goody was “allegedly racist bullying of Shetty on Celebrity Big Brother”[18], therefore on this series of Big Brother Jade has caused a situation which attracted a higher audience and also an audience type that may have wanted to watch this certain eviction interview for surveillance purposes.
Also Big Brother may have a high number of views due to it’s varies different Big Brother shows, also “producers provide different programmes and viewing experiences for different audiences”[19]. This shows a new convention to reality shows, as they provide a wider range of access for their audiences to watch and catch up with what is happening on the show.
The hardest audience type to encourage in watching television is the younger generation, but Annette Hills Research (2002), showed that “young and educated viewers were more likely to watch Big Brother, with more women than men, and also 16-24 years-olds[20]”. Big Brother was a certain type of reality TV show that was superior at attracting a young audience. Statistics show the audience group % of total 8-16 11.5, 16-34 49.3, 35-54 29.2, and 55+ 10.0 also Male 42.4 and Female 57.7. They may have been a higher percentage in females, as they may use reality TV as a form of “diversion in the form of escape from reality, emotional release or pleasure”[21] to their normal lives. Moreover there may be a high percentage of teenagers due to “the actual range of opportunities available to the audience” for example they could use there mobile phones to text votes during eviction this also shows the change in technology. There were also a percentage of men that watched Big Brother and this could be explained by the “available showing at pubs”[22]. The high views for Big Brother may be explained to the new conventions and the wide range of availability it has to its audiences.
Often “the producer’s of the show would have audiences believes that they simply present unmediated highlights-but is that possible”[23], for example in Big Brother 4 “did Jon really bore the other lads to sleep with his detailed knowledge of Star Wars, or did the producers shape the footage that way to construct a representation of Jon that could be easily mocked”. This also they may be seen as biased, as Jon may have been a disliked character in the “outside world”[24] therefore this footage had been edited for him to be seen as a boring character, therefore “the audience’s behaviour and opinions are being directly affected”[25]. These shows claim “realism”. But it is the way the programmes are shot and maybe they should be in a genre of observational documentaries s they are watching people and how they go about living their everyday life’s? In reality TV shows such as Big Brother ordinary contestants are seen to be treated as celebrities even before they appear on the show, as they get their expenses covered for them, so this may be an even bigger encouragement and desire for them to be on television, and also win the cash prize, furthermore this may encourage contestants to act in a way to be liked. Jade Goody had seen her life transform and “Nasty” Nick Bateman had a successful career in the media after appearing on Big Brother. During the “casting process”[26], “contestants were drawn from a variety of ethnic backgrounds covering some of the major ethnic communities in the UK”[27], this shows that Big Brother is trying to create a reach towards a wider audience and have someone they can relate too, here Big Brother may be following the conventions of “The Up Series” as they represented contestants from different social classes and Big Brother was represent ting contestants from different ethnic backgrounds. During the “casting process” they may choose people that they may be seen to cause argument and throw people who would be see to cause big fights and stop communicating in the house and in the house they have to keep communicating for a long time, this again shows how Big Brother, moulds the show to gain viewers, could this also be a new convention for reality TV shows? To place opposites just to certain arguments or is it another way to gain viewers.
Reality shows are cheap there is no need for them to pay for writers, actors, or any rehearsals etc. They use ordinary people, and this is there way of a cheap way to make television. Hour long drama cost around £875,000 per hour and Reality TV cost £114, 00 per hour. Shilpa Shetty was paid between £200,000 and £300,000 for appearing on the show, and this gave Big Brother its most popular rating of10 million viewers. It may have gained this popular rating due to two argumentative people, they may have placed Jade Goody in Big Brother again as they know what high ratings they had given them before.
There are many different types of Reality TV programmes ranging from Docusoaps to celebrity reality game shows, reality TV has also been labelled as a development of fly on the wall documentaries as they take the conventions of this type of documentary. We know that “genres are flexible”[28], but are the main conventions of reality TV shows flexible, as the “conventions of a genre are always in play rather than being simple”, therefore reality TV programmes only change the conventions as a whole just to please and to gain a wider audience. We have learnt that there are a wide range of reality TV shows, which have active and passive audience types, for comparison “I’m a Celebrity Get Me out Of Here” and “Supernanny”, an audience that is watching “I’m a Celebrity Get Me out Of Here”, is active as they may see certain characters acting a in certain way to gain votes, and in “Supernanny” there is a passive audience as they are being taught and told on how to treat there children. Moreover these audiences are again being feed by the hyperdermic needle as the passive audience is agreeing with what the media gives them. The conventions of these two reality TV programmes are different as in “Supernanny” the children are not being voted off, as this is not one of the conventions of this show, but the audience is still watching the children being observed, and in “I’m a Celebrity Get Me out Of Here” like Big Brother the viewer can choose which contestants they want voted off and also which contestant they want to see perform tasks. But these to different reality TV programmes still belong to the genre type of reality TV.
Over all the new and different conventions of these reality TV shows maybe the reason as to why people would rather watch reality TV programmes rather than good quality TV as said before. Also there are varies different conventions that apply for each and every different reality TV programme which may be the reason why there are so many different reality TV programmes around. These different conventions appeal to the different audience types but will reality TV taken over good quality TV, and will one day reality TV be the development of another genre, from the conventions set by reality TV.
[1] Patrick Phillips (1996)
[2] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[3] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[4] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[5] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[6] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[7] Mckee, Alan, (2003): Textual Analysis a beginner’s guide. SAGE publications Ltd London, Thousand Oaks, New Delhi. PG 95
[8] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[9] Revision Express AS and A2 Media Studies - Pearson Education LimitedReality
[10] Steve Neale (1980)
[11] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[12] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG 23
[13] Richard Maltby (1995)
[14] Neale, Steve (2002): Genre and Contemporary Hollywood. London: British Film Institute.
[15] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[16] Dyla, Eddie: BFI Film & Television handbook 2003. British Film Institute. PG 24
[17] Dyla, Eddie: BFI Film & Television handbook 2004. British Film Institute PG21
[18] She survived Jade, Jo and Channel 4. Now Shilpa reaps her reward Media The Guardian . (n.d.). Retrieved February 3, 2009, from http://www.guardian.co.uk/media/2007/jan/27/india.bigbrother.
[19] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[20] Annette Hill’s research (2002)
[21] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[22] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[23] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts
[24] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts - editing
[25] Probert, D. (2005). As/A Level Media Studies Essential Word Dictionary (Essential Word Dictionaries). Unknown: Philip Allan Updates.
[26] Branston, G., Branston, G., & Stafford, R. (2003). The Media Student's Book. New York: Routledge.
[27] MediaMagazine¦december 2003¦english and media centre – keymediaconcepts – media representations
[28] Andrew Tudor (1986)
'Scary Movie' franchise
Scary Movie
Directed by David Zucker.
- Film directed by Keenen Ivory Wayans in 2000.
- The original title for Scream was “Scary Movie” which was used later.
- It is an American dark comedy and parodies the horror, slasher, and mystery genres.
- The tagline for scary movie is “No mercy. No shame. No sequel.” And changed for Scary movie 2.
Scary Movie 2
- Released in 2001.
- American comedy film.Scary Movie 3
- 2003 American comedy film.
- Directed by David Zucker.
Scary Movie 3
Scary Movie 4
- Fourth and last film of Scary Movie.
- Directed by David Zucker.
Pastiche - A literary/artistic genre. The word has two meanings:"hodge-podge" or an imitation.
Parody - Are works created to mock, comment on, or poke fun at an original piece of work.Spoof - is a comedy that satirizes other film genres or classic films.
The main conventions for this genre are:
- Sarcasm
- Huge stereotyping, e.g. the dumb blonde, the hardboiled detective
- Mocking other films/scenes from serious movies
- Violence with no consequence for the characters' actions
- Obvious meanings to characters' actions/names
- Joking around with no purpose
- Random scenes, many layers
Irony - Literary or rhetorical device, in which there is discordance between what somebody says or does and what they mean or what is generally understood. Irony is a mode of expression that calls attention to the character's knowledge and of a audience.
Intertextuality - Is the shaping of texts meanings by other texts. It can refer to an author’s borrowing and transformation of a text or to a reader’s referencing of one text in reading another.Scary Movie can be seen as a parody and also a spoof.
Sunday 29 March 2009
Cover Work Fri 27.03.09
'Elm Street' horror franchise
'Wes Craven's New Nightmare' (1994)
References to other horror films.
Scream
Scream Two
Scream Three
- A Nightmare on Elm Street is an American horror franchise that consists of eight slasher films, a television show, novels, and comic books.
- The franchise is based on the fictional character of Freddy Krueger, introduced in A Nightmare on Elm Street (1984), who stalks and kills teenagers in their dreams; if Freddy kills the teenager in the dream world then they are ultimately killed in the real world.
'Wes Craven's New Nightmare' (1994)
- Wes Craven's New Nightmare is a 1994 horror-fantasy metafilm
- Although the seventh instalment in the Nightmare on Elm Street series, New Nightmare is not part of the series
- The plot focuses on Freddy invading the real world and haunting the actors and crew responsible for the Nightmare on Elm Street films.
References to other horror films.
- A Nightmare on Elm Street is also referenced in the high school janitor. Fred, played by Craven, wears an outfit resembling Freddy Krueger's.
- At one point Billy sneaks into Sidney's room through her window, startling her, in a way that quotes Glen sneaking into Nancy's room in A Nightmare on Elm Street.
- Halloween is referenced many times throughout the film. When Casey's parents come home and see that something is wrong, her father says to her mother, "Drive down to the Mackenzies', which a quote from Halloween is.
- Billy's surname, Loomis, is the same as that of Donald Pleasence's character in Halloween, which in turn was the name of Marion Crane's lover in Psycho.
- As Stu and Billy reveal themselves to Sidney as the killers, they stand head to head, echoing a famous still photo from the film The Thing with Two Heads (1972).
- When is dragged across the lawn by her murderer it strongly resembles a scene from Dementia 13.
- The blood pooling at Gale's feet by the news van is reminiscent of a scene in Night of the Living Dead where blood pools on the floor by Barbra's feet.
- Many films are briefly mentioned during a scene in which Billy and Stu visit Randy at work at a video store. Films Randy mentions include Candy man, The Howling, Prom Night, Everybody's All-American. Frankenstein is showing on the monitors.
- Sidney mentions The Town That Dreaded Sundown while she, Dewey and Tatum are buying food for the party.
- Joseph Whipp, who plays Sheriff Burke in Scream, also plays the sheriff in A Nightmare on Elm Street.
- Frances Lee McCain, playing Mrs. Riley, also played the part of Billy's mother, Lynn Peltzer, in 1984's Gremlins.
Scream
- Scream is a 1996 film directed by Wes Craven and written by Kevin Williamson.
- The film revitalized the slasher film genre in the mid 1990s
- Scream became a major commercial success upon its release, and was one of the highest grossing films of 1996.
- As a result it spawned two sequels, Scream 2 and Scream 3.
- A fourth film was announced by The Weinstein Company in July 2008.
Scream Two
- Scream 2 (1997) is a horror thriller film, the second part of the Scream trilogy.
- As with the other films in the trilogy, Scream 2 combines straight-forward scares with dialogue that satirizes conventions of slasher films.
Scream Three
- Scream 3 is a 2000 film - the third instalment in the successful Scream series of satirical horror films.
- It was originally meant to be last instalment of the Scream series, but in 2008, Scream 4 was officially announced by Dimension Films.
- This is the only part of the Scream trilogy not to be written by Kevin Williamson
Cover Work Tues 24.03.09
'Halloween: UK'
This movie confirms to its generic conventions, so I wouldn’t change the movie dramatically.
I would use the same iconographies such as:
Women in horror films are most of the time represented as the weaker sex who dies first; therefore I would change the order in which characters. Furthermore I would use characters who my audience can relate to such as, over weight characters in order to break the stereotype that all actors are anorexic also reflecting the Zeitgeist.
'Friday 13th'
This movie confirms to its generic conventions, so I wouldn’t change the movie dramatically.
I would use the same iconographies such as:
- Knifes
- Blood
- Masked killer
Women in horror films are most of the time represented as the weaker sex who dies first; therefore I would change the order in which characters. Furthermore I would use characters who my audience can relate to such as, over weight characters in order to break the stereotype that all actors are anorexic also reflecting the Zeitgeist.
'Friday 13th'
- The original Friday the 13th film was produced and directed by Sean S. Cunningham he wanted Friday the 13th to be “shocking, visually stunning, and make you jump out of your seat"
- The first film was meant to be "a real scary movie" and at the same time make the audience laugh. Friday the 13th began its life as nothing more than a title.
- Following the success of Friday the 13th in 1980, Paramount Pictures began plans to make a sequel. "We wanted it to be an event, where teenagers would flock to the theatres on that Friday night to see the latest episode."
- The initial ideas for a sequel involved the Friday the 13th title being used for a series of films, released once a year.With every film repeating the same premise, the filmmakers had to come up with little tweaks to provide freshness so the audience would return.
- The concept of a crossover between Freddy and Jason was not new since Paramount had approached New Line, years before they had gained the rights to Friday the 13th, about doing a crossover film.
- Freddy and Jason were finally set to meet in 2003. One of the biggest hurdles for the film was developing a story that managed to bring the two horror icons together.
Cover Work Tues 17.03.09
Targets:
Next steps to improve:
Use targets in my 2nd draft to make it better and rewrite the paragraphs so they make sense.
- Embed quotes, so that they make sense
- Use more key concepts, e.g. Media Language
- Use more theorists
- Link arguments to SHEP
Next steps to improve:
Use targets in my 2nd draft to make it better and rewrite the paragraphs so they make sense.
Sunday 22 March 2009
13D1 & 13C2 Cover Work: Wed 10.03
Unit 1: Introducing Genre
Unit 2: Genre Classification
Unit 3: Hollywood and Genre
Unit 4: Audiences and Genres
Audiences get from film genres. These pleasures are the following:
- Genre is actually a French word for "Type" or "Category"
- Genres are not fixed; they are used to help us understand films.
- Films outside the main stream are called "art films" which are intended for select or specialist audiences
Unit 2: Genre Classification
- Most genres offer a narrative of Reassurance
- The repertoire of elements features iconography, style, setting, narrative, characters.
- Iconography can be both visual image and sound image
Unit 3: Hollywood and Genre
- Genre declined as genre theorist argued that "genres began as fairly loose groupings that gradually evolved towards a "mature" or "classic" period."
- "B" films and genres, like genre fiction, were seen as "low status" by critics and commentators
- Hollywood is a generic cinema, which is not quite the same as saying it is a cinema of genres" Richard Maltby, 1995
Unit 4: Audiences and Genres
Audiences get from film genres. These pleasures are the following:
- Emotional Pleasures-Some genres are generically designed to make the audience feel emotional in different ways
- Visceral Pleasures- This is how the film is style to have a physical effect on audiences
- Intellectual Puzzles- This allows the audience to interact and allows them to try and unravel the mystery of "who dunnit"
- Counter-Culture Attraction- Where the audience can unravel the genre from the conventions of the films or in other words, the "Repertoire of Elements"
- Theorist "Ellis" stated that "Stars hold a "promise" to audiences”
- Ellis (1992) and Dyer (1987) have suggested ways in which audiences engage with stars and why they have become central to our understanding of Hollywood cinema.
- Dyer identified various major stars from the studio system as representing "social types" across a range of films:
- “Good Joe"
- "Tough guy"
- "Pin up"
- "Rebel"
- "Independent women"
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